Did you know he was ill? I didn't know he was ill. I only knew there was a new album, because that's what all the tweets from the weekend were about.
But look - there was Lazarus and it wasn't even a clue, it was goodbye.
All these people who die close to the dates when they were born, these perfectionists, they hurt.
If you grew up in the 70s and 80s, it was impossible not to know Ziggy Stardust/Aladdin Sane/Bowie. Do you remember the music stores in them days? How there were LPs and the new-fangled cassettes but also! posters!
There was a certain kind of person who had Freddie Mercury posters and David Bowie posters and - flamboyant though those images were - the people tended to get lost in the noise of Wham! or MJ and others.
That's the icon. That knowledge or image, music, persona, performance - all of it was retrospective. (When I think of Bowie, I think inevitably of Tilda Swinton and Derek Jarman). My relationship with Bowie's music was not visceral but I can't imagine my childhood without it. He was a part of my process of becoming someone I half-understood I wanted to be.
Yesterday, twitter was (as a friend put it) a wall of grief. There was great stuff: anecdotes, interviews, quotes, replies to fan letters, and of course the music and the images that went with them.
I'm linking to two things only among all the amazing stuff. This post by Brian Philips on what David Bowie meant to young people:
But look - there was Lazarus and it wasn't even a clue, it was goodbye.
All these people who die close to the dates when they were born, these perfectionists, they hurt.
If you grew up in the 70s and 80s, it was impossible not to know Ziggy Stardust/Aladdin Sane/Bowie. Do you remember the music stores in them days? How there were LPs and the new-fangled cassettes but also! posters!
There was a certain kind of person who had Freddie Mercury posters and David Bowie posters and - flamboyant though those images were - the people tended to get lost in the noise of Wham! or MJ and others.
That's the icon. That knowledge or image, music, persona, performance - all of it was retrospective. (When I think of Bowie, I think inevitably of Tilda Swinton and Derek Jarman). My relationship with Bowie's music was not visceral but I can't imagine my childhood without it. He was a part of my process of becoming someone I half-understood I wanted to be.
Yesterday, twitter was (as a friend put it) a wall of grief. There was great stuff: anecdotes, interviews, quotes, replies to fan letters, and of course the music and the images that went with them.
I'm linking to two things only among all the amazing stuff. This post by Brian Philips on what David Bowie meant to young people:
With Bowie, you never had the sense that he was in anyone else's negative space. Obviously he was, in all sorts of complicated and complicatedly evolving ways, but his special trick was to make himself *seem* like a perfectly free self-invention, a creation out of thin air. The spaceman stuff made sense for him because his job wasn't to be a freak, it was to present an idea of sanity as it might exist if it had been allowed to develop without all the distorting repressions of our world. I think that's why his weirdness always seemed so comforting to weird people. His strangeness wasn't sickness so much as the suggestion of a higher sort of health.And this poem by Tracy K. Smith:
Don't You Wonder, Sometimes?
RIP, eh.
1.After dark, stars glisten like ice, and the distance they spanHides something elemental. Not God, exactly. More likeSome thin-hipped glittering Bowie-being—a StarmanOr cosmic ace hovering, swaying, aching to make us see.And what would we do, you and I, if we could know for sureThat someone was there squinting through the dust,Saying nothing is lost, that everything lives on waiting onlyTo be wanted back badly enough? Would you go then,Even for a few nights, into that other life where youAnd that first she loved, blind to the future once, and happy?Would I put on my coat and return to the kitchen where myMother and father sit waiting, dinner keeping warm on the stove?Bowie will never die. Nothing will come for him in his sleepOr charging through his veins. And he’ll never grow old,Just like the woman you lost, who will always be dark-hairedAnd flush-faced, running toward an electronic screenThat clocks the minutes, the miles left to go. Just like the lifeIn which I’m forever a child looking out my window at the night skyThinking one day I’ll touch the world with bare handsEven if it burns.2.He leaves no tracks. Slips past, quick as a cat. That’s BowieFor you: the Pope of Pop, coy as Christ. Like a playWithin a play, he’s trademarked twice. The hoursPlink past like water from a window A/C. We sweat it out,Teach ourselves to wait. Silently, lazily, collapse happens.But not for Bowie. He cocks his head, grins that wicked grin.Time never stops, but does it end? And how many livesBefore take-off, before we find ourselvesBeyond ourselves, all glam-glow, all twinkle and gold?The future isn’t what it used to be. Even Bowie thirstsFor something good and cold. Jets blink across the skyLike migratory souls.3.Bowie is among us. Right hereIn New York City. In a baseball capAnd expensive jeans. Ducking intoA deli. Flashing all those teethAt the doorman on his way back up.Or he’s hailing a taxi on LafayetteAs the sky clouds over at dusk.He’s in no rush. Doesn’t feelThe way you’d think he feels.Doesn’t strut or gloat. Tells jokes.I’ve lived here all these yearsAnd never seen him. Like not knowingA comet from a shooting star.But I’ll bet he burns bright,Dragging a tail of white-hot matterThe way some of us track tissueBack from the toilet stall. He’s gotThe whole world under his foot,And we are small alongside,Though there are occasionsWhen a man his size can meetYour eyes for just a blip of timeAnd send a thought like SHINESHINE SHINE SHINE SHINEStraight to your mind. Bowie,I want to believe you. Want to feelYour will like the wind before rain.The kind everything simply obeys,Swept up in that hypnotic danceAs if something with the power to do soHad looked its way and said:Go ahead.
2 comments:
Oh man. How I loved Bowie's music. Discovered him with "Under Pressure" and Live-Aid in high school and then in college, drunkenly stumbled into a screening of "Cat People" (right when that creepy song plays) and realized the man was pure genius.
Did you read his essay in the Guardian (from 2001-2, I believe) in which he wrote about glam rock? Really wide (and deep) perspective on the topic.
km: No! (Though I'm not surprised.) Link if you find it?
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